First studio album in five years (since Ohms in 2020) — marking the longest gap between Deftones albums. The title Private Music nods to ideas of intimacy, exclusivity, and internal emotional landscapes. According to Moreno, the term struck him as having “all these connotations” — “It feels restricted, maybe naughty.”
American Romance is Lukas Nelson’s first true solo album—released June 20 2025 via Sony Music Nashville (through 6 Ace Records, LLC). Though he’s been recording for years with his band Promise of the Real, this album marks a shift: stepping out under his own name, exploring new territory. The record is produced by Shooter Jennings—a notable choice, given his own rock/country background and lineage.
No Rain, No Flowers is the thirteenth studio album by The Black Keys, released on August 8, 2025 through Easy Eye Sound and Warner Records. Recorded at their own Easy Eye Sound Studios in Nashville, the duo of Dan Auerbach (guitar/vocals) and Patrick Carney (drums) also self-produced the album, marking another chapter in their evolving sound.
Cover Girl is Lady Wray’s (born Nicole Monique Wray) fourth studio album, released on September 26, 2025 via Big Crown Records. Produced by longtime collaborator Leon Michels, the album revisits her retro-soul roots while bringing in elements of disco, gospel, ’90s hip-hop and modern R&B.
Let It Rock: Greatest Hits 1955-60 is a vinyl LP compilation released in 2025 (via the Acrobat label, catalog ACRSLP 1674). While the songs themselves come from the years 1955 through 1960, this collection gathers many of Chuck Berry’s biggest and most influential tracks in one place — making it an excellent entry point for his legacy.
Bark at the Moon is the third solo studio album by Ozzy Osbourne. Released in November 1983 in the US (Nov 14) and shortly after in the UK (December 2). It was the first Ozzy album to feature guitarist Jake E. Lee, following the death of Randy Rhoads. Also the only studio album with drummer Tommy Aldridge. The genre steers more toward heavy metal, but with more synths and a more polished, somewhat pop-metal production than his earlier, rawer work.
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