After five years away from the album format, Modest Mouse return with An Eraser and a Maze, a restless, unpredictable record that brings together nearly every side of the band's musical identity. From the jagged guitar work and frenetic rhythms of their early records to the atmospheric experimentation of their later releases, this album feels like a journey through the band's entire history.
In one of the most unexpected hip-hop collaborations of the year, CZARFACE joins forces with Frankie Pulitzer, the mysterious rap persona of actor Tom Hardy, for a full-length journey into underground hip-hop, comic-book mythology and cinematic storytelling.
After more than a decade away from the studio, Alabama Shakes return with I Must Be Dreaming, their first full-length album since 2015's Grammy-winning Sound & Color. The long-awaited third album finds the Alabama-born trio revisiting the soulful intensity that made them one of the most distinctive bands of the 2010s while pushing further into psychedelic textures, experimental production and atmospheric soul.
The Linda Lindas are growing up, getting louder and expanding their musical horizons on GOTTA GET OUT, the third full-length album from the Los Angeles punk-rock quartet. Featuring Bela Salazar, Eloise Wong, Lucia de la Garza and Mila de la Garza, the record finds the band moving beyond their original DIY punk sound into a much broader mix of post-punk, new wave, hardcore, alternative rock and synth-driven indie pop.
Before psychobilly became an established genre, The Cramps were already creating their own twisted version of rock 'n' roll religion. Songs the Lord Taught Us is the band's legendary debut, a raw, sleazy, horror-soaked collision of 1950s rockabilly, garage rock, surf guitar and punk attitude.
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