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With Howl, Black Rebel Motorcycle Club took a sharp turn away from the distortion-heavy garage rock that defined their early albums. Instead, the band embraced American roots music—blues, folk, gospel, country, and acoustic rock—while maintaining the dark, rebellious spirit that made them stand out in the first place.
Mobb Deep - The Infamous
Released in 1995, The Infamous is one of the defining albums of East Coast hip-hop and a landmark record in the history of hardcore rap. Made by Queensbridge duo Havoc and Prodigy while they were still remarkably young, the album transformed Mobb Deep from promising New York rappers into architects of one of hip-hop's darkest and most influential sounds.
Zahna - Break or Breakthrough
Break or Breakthrough finds Zahna pushing her sound to its most intense and ambitious place yet. The 10-track album blends hard rock, alternative metal, metalcore intensity, and dark pop atmosphere, pairing crushing guitars and aggressive vocals with cinematic production and deeply personal songwriting. Produced and mixed by Kellen McGregor of Memphis May Fire, the record arrives through XOVR Records, the label founded by Korn's Brian “Head” Welch.
Ryan Bingham - They Call Us The Lucky Ones
On They Call Us The Lucky Ones, Ryan Bingham returns with his first full-length studio album in more than seven years—and he doesn't return alone. Recorded with acclaimed Texas band The Texas Gentlemen, the album captures the spontaneity and grit of musicians playing together in the room.
Violet Grohl — Be Sweet To Me
With Be Sweet To Me, Violet Grohl steps out from a famous family legacy and establishes herself as an artist with a sound all her own. The debut album is a raw, guitar-driven blast of alternative rock that draws heavily from the late ’80s and ’90s underground, channeling the energy of grunge, noise rock, dream pop, and riot-grrrl-adjacent alternative music.
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