"The Pet Parade," the title track to Fruit Bats' ninth album, might be a surprising opening track for longtime fans of Eric D. Johnson's beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. At times upbeat and reassuring ("Eagles Below Us") and at times quietly contemplative ("On the Avalon Stairs"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.
Every now and then an artist comes along who makes you remember why you started listening to albums in the first place: Aaron Lee Tasjan is that artist. With his wrecked cool, off-center charm, and restless creative dazzle, he makes music with conviction that has it's roots in rock's murky past, armed with an arsenal of songs that spill over with humor, intelligence, irony, personal vision and at times prophecy. An obsessive creative, Tasjan writes pop songs with a twist, a little overdriven, far too honest at times. He updates the idea of androgyny but dispels the emotional and social ambiguity with lyrics that reflect his own geographic and artistic wanderings. You get the sense over Tasjan! Tasjan! Tasjan!'s 11 songs that the man who began the album is not the same man who completed it, transformed both by the experiences that inspired the songs and crafting them. This is not anxious music for anxious times, but rather music as an antidote for anxious times. It is the sound of the future arriving.
Shake Your Money Maker is the debut studio album by The Black Crowes. It is the only album by the band to feature guitarist Jeff Cease. Shake Your Money Maker peaked at #4 on the Billboard 200, and two of it's singles, "Hard to Handle" and "She Talks to Angels", reached #1 on the Mainstream Rock Tracks chart. "Jealous Again", "Twice As Hard" and "Seeing Things" were also charting singles in the United States. Shake Your Money Maker is the Black Crowes' best selling album, having sold more than 5 million copies.
Throughout their career, Sharon Jones & the Dap-Kings remained in high demand both publicly and privately to recreate and often re-imagine songs by other artists. More often than not, these covers were recorded by request, commissioned for placement in movies, television programs, tribute albums, or for samples. This album compiles some of their most popular as well as never-before-heard renditions. Though the band has mostly built their career on a prolific catalog of originals, these forays into other artists' compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land.
The eighth studio album from the American rockers. Kings of Leon are brothers Caleb (guitar/vocals), Nathan (drums) and Jared (bass) Followill, along with their cousin Matthew Followill (guitar). Since their debut in 2003, Kings of Leon have sold over 20 million albums and nearly 40 million singles worldwide, and have toured all over the world, playing at top venues and headlining major festivals such as Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury.
On Wild Pink's third album and first for Royal Mountain Records, A Billion Little Lights, frontman John Ross explores the dichotomy of finally achieving emotional security - of accepting the love and peace he deprived himself of in his twenties - while also feeling existentially smaller and more directionless than ever before. The record is a two-pronged triumph: an extraordinary reflection on the human condition presented through the sharpest, grandest, and most captivating songs Wild Pink have ever composed.
Stage Fright is the third studio album by Canadian American group The Band, released on August 17, 1970. Engineered by Todd Rundgren and Glyn Johns, it features two of the group's best-known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances (by Richard Manuel and Rick Danko, respectively) and became staples in the group's live shows.
From label owner Terry Cole, "It was on March 16, 2020 that we closed up our storefront as the reality of a worldwide pandemic began to spread across the Midwest. We had no idea how it was going to impact our shop, our label, or the artists we represent. We were all fortunate to have our family members stay safe and healthy; however, the livelihood of many of our friends and artists were drastically and immediately impacted. No tours, no live performances, record shops closed, pressing plants shut down, etc. And while the level of uncertainty was unnerving, from that uncertainty came the idea for Brighter Days Ahead. We knew we wanted to continue to release new music, but proceeding with our heavy 2020 release schedule as planned seemed ill advised. So the idea was to release individual tracks from many of our artists on a weekly basis and as a musical family, we could all help shine light on each individual artist weekly. Strength in numbers! So throughout the summer and into the fall, that's what we did. We released several dozen tracks and the weekly announcements certainly garnered a strong sense of community for our artists and fans alike. We're very proud to present Brighter Days Ahead: a compilation from our talented stable of artists on both our Colemine and Karma Chief imprints."
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