Even in Arcadia is Sleep Token's fourth studio album and a watershed moment—marking their first full-length record under RCA and a leap in mainstream visibility. Following the breakthrough Take Me Back to Eden, this album blends pop, R&B, trap, and polished djent into a major-label-leaning cinematic sound.
Sister Rosetta Tharpe was a trailblazer—bringing electric guitar and rhythmic drive to gospel music long before it became rock. Artists like Elvis Presley, Little Richard, Johnny Cash, and Eric Clapton credit her as a foundational influence on rock & roll.
With Hope We Have Fun, Mt. Joy offers a warmly vulnerable and sonically adventurous fourth album that feels like a deep exhale after years of heavy touring and quiet reckonings. It’s a record shaped by memory, mortality, joy, and a desire to hold onto the fleeting moments that define us. Drawing inspiration from the weight of real-life fan stories and the band's evolving personal lives, the album swings between intimate folk musings and expansive indie-rock grooves—holding hands with both sorrow and celebration.
A bold two-part album that maps Justin Vernon’s emotional arc — from shadowed introspection to luminous renewal. Built around the 2024 SABLE EP and expanded into the brighter fABLE suite, the record explores grief, love, and personal transformation across 41 minutes and 13 tracks
Crowded House is the 1986 debut from the New Zealand–Australian trio—Neil Finn (vocals, guitar), Paul Hester (drums), and Nick Seymour (bass)—produced by Mitchell Froom and engineered by Tchad Blake and others at Capitol and Sunset Sound studios in Los Angeles. Originally called “The Mullanes,” the band adopted the name Crowded House as a tongue-in-cheek reference to their cramped L.A. living quarters.
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